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Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition de Brian O'Doherty
Descripción - Críticas 'Brian O'Doherty's precise scrutiny of this near-omnipresent mode of display-the result of a worldview in which the apparatus of exhibition was newly understood as itself the carrier of meaning-still retains disruptive power.' * Art Journal Open - College Art Association * 'Not only in the context of art institutions and gallery spaces, but also in broader territorial and political senses, the dichotomy between inside and outside has become a cornerstone of what we would now call installation art. Thus, we should not only read Inside the White Cube as the vital document of the 1970s post-studio art scene that it undoubtedly is, but also as a nodal point that connects in two directions: backwards to the modern history of art, and forwards to contemporary spatial practices.' * e-flux * Reseña del editor When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes 'The Gallery as Gesture,' a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O'Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Nota de la solapa 'These famous essays are as fresh and stimulating today as when they jumped off the pages of Artforum. Those who have not read Brian O'Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to so many received notions about twentieth-century mainstream art.'—Jan van der Marck, author of Arman 'Inside the White Cube is a brilliant analysis of the sociological, economic, and aesthetic context within which we experience art. O'Doherty examines the critical relationships of context to content and with wit and irony exposes the myth of neutrality of the gallery or museum space. These essays mark a turning point in artistic perception.'—Barbara Rose 'Brian O'Doherty's Inside the White Cube has remained one of the most influential and oft-quoted statements of its time. With cogent critical analysis and shrewd wit, O'Doherty investigates how the gallery space, sequestering the spectator within an apparently timeless realm and before the pretense of the enshrined object, insidiously governs the viewer's consciousness, perception, and emotional response.'—Howard N. Fox Contraportada 'These famous essays are as fresh and stimulating today as when they jumped off the pages of 'Artforum. Those who have not read Brian O'Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to so many received notions about twentieth-century mainstream art.'--Jan van der Marck, author of 'Arman Biografía del autor Brian O'Doherty, a.k.a. Patrick Ireland, is an artist and writer. His work has been shown in numerous galleries and museums in the United States and Europe. His books include Object and Idea and American Masters: The Voice and the Myth.
Detalles del Libro
- Name: Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition
- Autor: Brian O'Doherty
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 10 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar PDF Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition de Brian O'Doherty PDF [ePub Mobi] Gratis
Descargar INSIDE THE WHITE CUBE: THE IDEOLOGY OF THE ~ Caracteristicas Nombre del libro: INSIDE THE WHITE CUBE: THE IDEOLOGY OF THE GALLERY SPACE BRIAN O´DOHERTY Lengua: INGLÉS “These famous essays are as fresh and stimulating today as when they jumped off the pages of “Artforum. Those who have not read Brian O’Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to […]
The Ideology of the Gallery Space - Monoskop ~ The Ideology of the Gallery Space · Expanded Edition CASE Main N 7430.7 .036 1999 Brian O'Da ' . Inside the white cube : the ideology of the gallery space I Brian O'Doherty : introduction by Thomas McEvilley. Expanded ed. . when the lecture "Inside the White Cube, 1855-1974" was first delivered.
Inside the White Cube: The Ideology of the Gallery Space ~ When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated—the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a .
Inside the White Cube: The Ideology of the Gallery Space ~ Inside the White Cube (Paperback) The Ideology of the Gallery Space, Expanded Edition. By Brian O'Doherty, Thomas McEvilley (Introduction by) . University of California Press, 9780520220409, 120pp. Publication Date: January 14, 2000
Inside the White Cube: The Ideology of the Gallery Space ~ The timelessness of the white cube turns the gallery space into a limbo, which is no place for a living being, argues O’Doherty, but for the disembodied eye and pure intelligence. In “The Eye and the Spectator,” he discusses this problem of the autonomous eye that separates itself from the body to perceive the flat surface of the modernist easel painting.
Inside The White Cube – The Ideology Of The Gallery Space ~ Inside The White Cube – The Ideology Of The Gallery Space – Expanded Edition è un libro di O'doherty Brian edito da University Of California Press a gennaio 2000 - EAN 9780520220409: puoi acquistarlo sul sito HOEPLI, la grande libreria online.
Inside the White Cube: The Ideology of the Gallery Space ~ Buy Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition Expanded Ed by O′doherty, Brian (ISBN: 8601405194916) from 's Book Store. Everyday low prices and free delivery on eligible orders.
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Salon to Biennial: Exhibitions that made art history 1863 ~ Libro de referencia imprescindible para el lector interesado en la historia del arte del siglo XX, . Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition Brian O'Doherty. 4.2 de un máximo de 5 estrellas 14.
05 Transformacion Prod Cultural A / Toma de decisiones ~ Hacia una nueva crtica de las instituciones Brian Holmes 1 Robert Smithson, Cultural Confinement (1972), en Jack Flam (ed.), Robert Smithson: The Collected Writings, Berkeley, University of California Press, 1996; Brian ODoherty, Inside the White Cube: The Ideology of the Gallery Space (expanded edition), Berkeley, University of California Press, 1976/1986. s e p e r m i t e l a c o p i a